Asymmetry

A DESIRED UNDERSTANDING OF THE BORDER

THREE QUESTIONS

YDP – A NEW CHAPTER:

THE ‘DEMON’ TRAVERSES THE () WHILE I AM SLEEPING

HOW TO PEOPLE A PLACE

THREE QUESTIONS

THREE QUESTIONS

THREE QUESTIONS

THREE QUESTIONS

A DIACHRONIC RECORD

ENCOUNTERING BLACK STUDIES

DO IT YOURSELF: FROM ZINE TO LIFE

SECOND LOVE LETTER: ACROSS THE SEA, CONNECTING PASTS AND FUTURES OF SELF-PUBLISHING

BOOKS DO NOT RESPECT ORIGINALITY: RETHINKING COPYING AND CREATIVITY

DEVIL'S PLOT: NOTES 'ANTERIOR' TO COSMOS CINEMA - 14TH SHANGHAI BIENNALE

FIRST LOVE LETTER: THE ANARTIST BOOK CLUB

BITTERNESS & WIT

UNDESIRABLE

SOME MEANDERING THOUGHTS AROUND THE VISUALITY OF COLLECTIONS PROMPTED BY 'THE HIDDEN CONFERENCE'

THREE QUESTIONS

A BRIEF ENCOUNTER WITH 'PLANTS'

NOTES ON ‘ADVANCED PRACTICES’

An Unsolved Murder Case Is Bad Abstraction

THREE QUESTIONS

The Rotting World of 'Decision to Leave'

APRIL LETTER

PAGING THE LIBRAR(IES), IN FRAGMENTS

UNKNOTTING AND REWINDING THE THREADS

STRATEGIES FOR BALANCING AMBITION AND RESOURCES

THREE QUESTIONS

THREE QUESTIONS

How Street Dance Can Inspire Art Museums

Observations on Whitechapel Gallery in liminality

Reflecting on Re-Integration

Research Trip: Alternative Ways to Contemporaneity

IN THE WAKE OF DOCUMENTA FIFTEEN

Could the Global Artworld Afford Diversity?

THREE QUESTIONS

WHAT IS THE 'CHINESE ART MARKET'?

STUDYING AT GOLDSMITHS

VISITING THE ARCHIVES

CROSSING OVER: WESTERN AND CHINESE CONTEMPORARY ART

APPROACHING METHODOLOGIES

REFLECTIONS ON ARCHIVAL RESEARCH

KUA 跨 crossing beyond

Three Questions

Crossroads of Art Worlds

Three Questions

Three Questions

Remote Affinity: Working together from a distance

THREE QUESTIONS

Launch Notes