Eugene Yiu Nam Cheung is a writer and cultural worker based between Berlin and Sydney whose research investigates anarchist publishing, dissident print cultures and utopian thresholds in language. He was a lumbung programme team member at documenta fifteen (2022) and, from 2020–22, shaped exhibitions and publications at the Julia Stoschek Foundation. Eugene is founding editor of Decolonial Hacker and received the 2021 International Award for Art Criticism. His writing appears in Third Text, Griffith Review, Art+Australia, and 4A Papers, amongst others.
Eugene Yiu Nam Cheung was the 2023 Asymmetry Curatorial Fellow at Whitechapel Gallery.
Sanja Grozdanić is a writer living in Berlin. Across her interdisciplinary practice, she asks how events can be contested, mourned, and remembered. Her work is particularly attentive to the slippages between public and private grief, anxiety, and imagination. Currently, she is working on a film adaptation of her 2021-24 theater performance with Bassem Saad, Permanent Trespass. Previously, she has been a fellow at La Becque and LIVE WORKS. Her writing appears in Decolonial Hacker, The White Review, The Griffith Review, Close Distance, and Pilot Press, among other publications.
Mira Mattar writes fiction and poetry. Her novella, Yes, I Am A Destroyer, was published in 2020. Her chapbook, Affiliation, and her first collection, The Bow were both published in 2021. A new chapbook, And most of all I would miss the shadows of the tree’s own leaves cast upon its trunk by the orange streetlight in the sweet blue darks of spring, has recently been published by Veer2. Mira lives and works in London.