Yuhang Zhang is a London-based writer and critic. Yuhang’s work explores theory-fiction, archives and East Asian logistics landscapes. Currently an Asymmetry PhD Scholar in ‘Advanced Practices’ at Goldsmiths, University of London, he co-initiated the online project Djinn Puddle and co-curated The Pineal Eye, Goethe-Institut, Beijing (2021). Yuhang’s reviews and fiction have appeared in QILU Criticism, Daoju and Kua, he frequently presents at conferences on Chinese fiction and visual culture, and regularly publishes essays in art journals.
Yuhang Zhang is currently the 2022 Asymmetry PhD Scholar in ‘Advanced Practices’ at Goldsmiths, University of London.
Clare Chun-yu Liu is an artist and lecturer, she holds a practice-based fine art PhD from Manchester School of Art. Clare is interested in exploring oral history and lived experience through fiction and nonfiction to challenge the grand narratives. Her films have been screened and exhibited internationally, including at the ICA London, Raven Row London, Oxford University, New Art Exchange Nottingham, EXiS, Image Forum Festival, Kasseler Dokfest, Taipei International Video Art Exhibition, Goethe Institut Lisbon and Ming sheng Art Museum Beijing. Her work is in VIDEOTAGE Media Art Collection in Hong Kong. Clare is a member of Paul Mellon Centre Early Career Researchers Network and British Art Network.