Yasmine Anlan Huang is an artist and writer migrating from cities to cities. She orchestrates a polyphony that blends past and future, fiction and reality, sublimity and absurdity, innocence and violence. With a fusion of personal cosmology, classical literature, historical archives, youth subcultures, and everyday objects, she crafts emotive worlds through moving images, texts, performances, and installations, all serving as surrogates for her hyper-vulnerability. She is also interested in how digital spaces swallow up and regurgitate life experiences.
Huang’s works have been featured internationally, including Whitney Biennial 2024, Power Station of Art, HART Haus, and Peckham24, with solo or duo exhibitions in Floating Projects and Goethe-Institut Hong Kong (forthcoming). She has been awarded residencies in Skowhegan School of Painting & Sculpture and Wassaic Project. Her writings and translations have appeared in Heichi Magazine, p-articles, SAMPLE Mag, and other platforms. Her debut book of poems and essays, Love of the Colonizer, was published by Accent Sisters.
Cici Peng is a writer and curator. She has written for publications including frieze, Art Review, e-flux, Another Gaze, Filmmaker Magazine among others. She curates with Sine Screen, which exhibits moving-image by artists from East and South East Asia, and she works for the New York Film Festival's Currents shorts team.